Wajah Pluralis, Feminis, dan Puitis dalam Tafsir Karya Djohan Effendi

Authors

  • Mukhamad Saifunnuha Sekolah Pascasarjana UIN Syarif Hidayatullah Jakarta, Indonesia

DOI:

https://doi.org/10.29240/alquds.v4i2.1844

Keywords:

Indonesian Tafsir, Pluralist, Feminist, Poetic

Abstract

Pluralist, Feminist, and Poetic Faces in Djohan Effendi’s Tafsir

The books of tafsir, which originally appeared in the Middle East, spawn extensively tomany countriesincluding Indonesia. One of the contemporary Indonesian tafsirbooks is ‘Pesan-Pesan al-Qur’an’ by Djohan Effendi, whichdeserves to receive researchers’ and academics’ attention because of its uniqueness. Hence, this research aims to study and analyze this tafsirbook in terms ofbothmethodological aspect and book’s contents. The author uses the ‘Four Methods’ theory from Al-Farmawiy and also IslahGusmian’s concept for the methodological analysis. Finally, by some analysis and discussion, this research finds that Djohan’stafsir uses the ijmali methodcombined with the thematic method. While in the contents of the book, this tafsir has 3 major tendencies, namely pluralist, feminist, and poetic.

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References

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Published

2020-11-12

How to Cite

Saifunnuha, M. (2020). Wajah Pluralis, Feminis, dan Puitis dalam Tafsir Karya Djohan Effendi. AL QUDS : Jurnal Studi Alquran Dan Hadis, 4(2), 315–338. https://doi.org/10.29240/alquds.v4i2.1844

Issue

Vol. 4 No. 2 (2020)

Section

Articles

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