Kidult Representation in Hot Wheels F1 2025 Instagram Content
DOI:
https://doi.org/10.29240/jdk.v11i2.16752Keywords:
Keywords: Myth, Sign Value, Kidult Consumerism, Hot Wheels Formula 1Abstract
Purpose − The phenomenon of kidult in consumer culture shows a shift in the meaning of toy and diecast products that are no longer viewed solely based on function, but also as collectible objects that have symbolic meaning. This phenomenon is seen in the Instagram content @hotwheels_indo dated October 1, 2025, which promotes Hot Wheels Premium Formula 1 through visual representations that resemble the world of professional racing and display an exclusive, prestigious, and authentic impression. This study aims to analyze the myths and sign values of kidult consumerism represented through the Instagram content @hotwheels_indo.
Method − This study uses a qualitative approach with a critical paradigm. The analysis is carried out using Roland Barthes' semiotics through the meaning of denotation, connotation, and myth, as well as Jean Baudrillard's theory to analyze simulation, simulacra, hyperreality, and sign value. The object of the research is three slides of promotional content for Hot Wheels Premium Formula 1 uploaded on October 1, 2025.
Findings − The results of the study show that the content builds myths about the authenticity of the Formula 1 world, brand legitimacy, premium quality, exclusivity, collection culture, and enthusiasm for the product launch. Through visual elements, the official Formula 1 logo, team identity, dramatic lighting, compositions resembling the starting grid, product details, and persuasive narratives, Hot Wheels Premium Formula 1 is represented not just as a diecast, but as a symbol of prestige, identity, nostalgia, and affiliation with Formula 1 culture. This representation forms simulations, simulacra, and hyperreality that produce sign value, so that kidult consumption practices are more oriented towards symbolic meaning and social status than the use value of the product.
Downloads
References
Asharudin, R. (2023). An Analysis of Jean Baudrillard's Thoughts on Simulation and Reality in the Context of the Digital Era. Gunung Djati Conference Series, 24.
Assalia, D., & Pramasheilla, A. (2021). Application of Ferdinand De Saussure's Semiotic Analysis in the Kethoprak Ringkes Performance. Performing Arts Education. https://doi.org/10.24821/ijopaed
Chandri Febri Santi, Dewi Purnama Sari, Cut Tarisa, Nur Azizah Siregar, & Nabila Amanda Harahap. (2025). Representation of Irish Bella's Instagram Fashion (Roland Barthes' Semiotic Analysis). Basataka Journal (JBT), 8(2), 852.
Creswell, J. W. and PCN (2018). Qualitative Inquiry and Research Design Choosing among Five Approaches. (4th Edition). SAGE Publications : Thousand Oaks.
Dicky Hidayat. (2022). YouTube as a Media for Actualizing the Sundanese People's View of Life (Roland Barthes' Semiotic Analysis). Amarasi Journal, 3(2), 2022. https://www.neliti.com/id/publications/554773/youtube-sebagai-media-aktualisasi-pandangan-hidup-orang-sunda-analisis-semiotika
Eka Sukmawati, & Mahnun Mas'Adi. (2025). The Influence of Price and Promotion on Hot Wheels Purchase Decisions at Toys Kingdom The Park Sawangan. JIIC: Jurnal Intelek Insan Cendikia, 5. https://jicnusantara.com/index.php/jiic
Faizal Budiman, R., Christin, M., & Si, M. (2021). Roland Barthes' Semiotic Analysis of the Lyrics and Video of the Song "Peradaban" by the Band Feast. E-Proceeding of Management, 1621–1651.
Fikri, M. (2023). Representation of the Political Image of the 2024 Indonesian Presidential Candidates on Instagram (Roland Barthes' Semiotic Study on the @prabowo, @ganjar_pranowo, and @aniesbaswedan accounts). Dohara Publisher Open Access Journal. http://dohara.or.id/index.php/isjc|
Giswandhani, M., & Hilmi, AZ (2024). The TikTok Shop Phenomenon as a Modern Shopping Alternative. Journal of Communication, 17(1), 31–36.
Jean Baudrillard. (1981a). For A Critique Of The Political Economy Of The Sign. Telos Press.
Jean Baudrillard. (1981b). For a critique of the political economy of the sign. Telos Press.
Jean Baudrillard. (1981c). Simulacra And Simulation. Michigan.
Jean Baudrillard. (1998a). The Consumer Society (Myths and Structures) (Mike Featherstone). SAGE Publications India P.
Jean Baudrillard. (1998b). The Consumer Society. Sage Publications.
Muhammad Najihul Marom, & Fikri Dina Intan. (2025). Jean Baudrillard's Simulacrum Theory in the Beauty Advertisement "Scarlett World With Twice" in Mass Media Communication: A Semiotic Analysis of Charles Sanders Pierce. Da'watuna: Journal of Communication and Islamic Broadcasting, 5(1). https://doi.org/10.47467/dawatuna.v5i1.5716
Rahmat Pike Pirnanda. (2023). Roland Barthes' Semiotic Analysis of the Lyrics of the Song "Aisyah Istri Rasulullah" by Syakir Daulay. COMMUNICATIONS, 5(1), 280–300. https://doi.org/https://www.doi.org/communications5.1.1
Roita Sinaga. (2023). Semiotic Analysis of Ferdinand De Saussure in Fiersa Besari's Novel Garis Waktu (Timeline). Enggang: Journal of Education, Language, Literature, Arts, and Culture.
Roland Barthes. (1972). Mythologies. The Noonday Press.
Roland Barthes. (1977). Image MusicText. Fontana Press.
Roland Barthes. (1981). Camera Lucida. Hill and Wang.
Saleha, *, & Yuwita, MR (2023). Charles Sanders Peirce's Semiotic Analysis of the Dead End Traffic Sign Symbol.
Saumantri, T., Hidayatulloh, T., & Meghatruh, DD (2023). Religious Consumerism in the Digital Era: An Analysis of Jean Baudrillard's Postmodernist Paradigm on the Phenomenon of Religiousness among Muslims in Indonesia. Islamadina: Journal of Islamic Thought, 273. https://doi.org/10.30595/islamadina.v0i0.14961
Sugiyono. (2022). Quantitative, Qualitative, and R&D Research Methods. Alfabeta.
Susilo, JP, & Setyanto, Y. (2021). Marketing Communication Process through Social Media (A Study of the Hot Wheels Fan Community on Instagram). Prologia, 5(1), 52–59.
Vinsensius R. Masut, Robertus Wijanarko, & Pius Pandor. (2023). Objectification of Subjects in Contemporary Culture Based on Jean Baudrillard's Concept of Hyperreality. Indonesian Journal of Philosophy, 6(3).
Widia Kartika, E., & Supena, A. (2024). A Semiotic Analysis of Charles Sanders Peirce in the Novel "Pasung Jiwa" by Okky Madasari. https://jurnal.umj.ac.id/index.php/penaliterasiEmail
Yoga Ilyas Hidayatulloh, & Noveri Faikar Urfan. (2024). Representation of Female Innocence in the JKT48 Video Clip “Benang Sari, Putik, Dan Kupu-Kupu Malam” (Roland Barthes’ Semiotic Analysis). MUQODDIMAH SCIENTIFIC JOURNAL:
Zahoor, I., Khalil, S., Yousaf, F., & Faisal, B. (2025). Digital Postmodernism And Knowledge Construction: Truth, Memory, And Identity In The Age Of Social Media. Journal Of Applied Linguistics And Tesol (Jalt), 8(4).
Downloads
Published
How to Cite
Issue
Section
Citation Check
License
Copyright (c) 2026 Denny Suryakusuma, Salman Naning

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors who publish with Jurnal Dakwah dan Komunikasi agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License (CC BY-NC-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).











